Pleased and proud to participate, read the compass again this morning with the Art and Culture of Indonesia, which can be recognized as a world through games and music Kolintang bamboo in bulk at Maesa Stadium, Tondano, North Sulawesi on Saturday, October 31, 2009. Both the art of traditional music is now recorded in the book world record, The Guinness World Book of Records.
Minimum requirements to be recorded in book Guinness World Records (GWR) of traditional music should be played by 1,000 people, but on the show Kolintang played by 1223 people and music and even bamboo participants reached 3011 people, Although not seen directly, but can imagine if this music became so 'colossal' beauty. Delivery of a certificate by a representative of GWR, Lucia received initiators Sinigagliesi performances, Benny J. Mamoto, Director of Cultural Arts North Sulawesi, Minahasa then submitted to the Regent, Vreeke Runtu.
According to Lucia Sinigagliesi, the research team at the GWR London, England, showed: instruments, melodies and rhythms of traditional bamboo music kolintang and Indonesia does not have a match in the world. GWR therefore noted both as a traditional art form fascinating world.
Previously, on October 2, 2009, Batik Indonesia by the United Nations designated as a UNESCO World Heritage did not object that has the unique and profound philosophy. (See also: http://edukasi.kompasiana.com/2009/09/29/aku-cinta-produk-indonesia-dan-peristiwa-pemanasan-global/ ). By the date of October 2, the authors sympathize 'euphoria Batik' everywhere, because at most schools require students to wear Batik siswinya. But proud as well, we wear Batik and see Teachers and students in schools, employees of the Bank, and the other TV broadcasters who wear a lot of Batik. To be more popular in the community and not simply 'euphoria' to further the use of 'batik' uniforms and equipment should be scheduled as a time of at least 1 week at each school, and all public service spearheads both civil servants and private sector, and we could also start getting used to Batik wear not only for official purposes, but also as everyday clothes worn at least once a week. Thus Batik is also indisputable, seen as an integral part of society in Indonesia, Batik can then serve as part of the Indonesian tourism industry and used as 'souvenirs' genuine local products by foreign tourists who are visiting Indonesia.
Cultural Heritage spread in Indonesia 33 provinces, very numerous and very diverse, we have a look at traditional music instruments like: angklung, Bende, calung, Gamelan, Balinese drums etc, gongs, jidor, harp, kenong, fiddle, sasando, flute, drums and many others. In addition to batik clothes, we also have: kebaya, baju kurung songket, ikat, ulos, shirts are guy, Dayak traditional Balinese dress up with 'koteka'. Besides 'Pendet' which had 'excited' first, there are many other traditional dances such as Kecak dance, dance dishes, dance Seudati summons, meuseukat, tor-mentor, masks, tayub, puppet people, ondel-ondel, cokek, Jaipongan and forth. In the field of architecture, houses most of the traditional Indonesian art of carving and decoration are very beautiful, also has a deep philosophy in every detail of manufacture. This traditional building materials are generally made of a lightweight, compact and time-tested and sturdy and strong hold earthquake.
Should world recognition for Art and Culture of Indonesia?
Stipulation of Art and Culture of Indonesia as the world cultural heritage by the United Nations as well as recording achievements in Guinness World Records (GWR), in addition to the form of notice and knowledge to the outside world (hopefully no longer the double claim of another State), will give a very positive impact for the development of tourism industry in our country, Indonesia and the most important are as historical records of travel Cultural Arts mankind to continue to be known, demonstrated, practiced by the younger generation and hopefully not only be remembered as a 'keepsake' that in Indonesia there ever was and that's Cultural Arts as a nostalgia for the 'not passed' by the next generation.
Hopefully education institutions in Indonesia and incorporate increasingly concerned Indonesia Cultural Art in the curriculum is not just theory but practice and the initiators of such performances Indonesia Cultural Art Mr Benny J. Mamoto above, will be more and more and we are challenged to best achieve their respective field. We recommend that governments through their respective provinces periodically entered the traditional culture and art contest winners get a trophy in addition, a plaque award also get a chance to appear on stage at every entertainment attractions in an integrated manner, so that the tourism industry can be more exciting and more advanced and Indonesian Cultural Arts will be maintained, can be preserved and not forgotten by future generations.
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